Family Planning, a short, animated film made by Walt Disney Productions in 1968, is a touchstone for historians of global population. Since Matthew Connelly's Fatal Misconception: The Struggle to Control World Population (2008) re-energized the field, the film has become a fixture in histories of population control; an irresistible opportunity to namecheck Donald Duck and inject some levity into otherwise sober accounts. Analysis has concentrated on salient features of the film: its construction of an ethnically generic "everyman," its consumerist message, and its coyness about contraception. It typically figures as one of the most significant products of a sustained effort to mobilize mass media in the service of international family planning.
Our research mobilizes previously neglected lines of evidence, especially unpublished documents held by the Rockefeller Archive Center (RAC), to shed new light on hidden negotiations and contestations. In drawing from the materials at the RAC — and beyond — we aim to contribute to an increasingly concerted effort to embed questions about media and communication more centrally in histories of reproductive politics.
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