Culture + Community in a Time of Transformation: A Special Edition of Culture Track is a collaborative effort to keep the cultural sector in dialogue with its communities and participants during the pandemic and inform deeper equity and justice in the years to come. The project pivoted from examining public attitudes and behaviors in a "time of crisis" in 2020 to doing so in a "time of transformation" in 2021, with a crucial focus around racialized experiences in connection with cultural participation and cultural organizations.
The first phase of the research, conducted in Spring 2020, was a large-scale survey intended to inform not just resilience but also innovation and progress toward equity in the cultural sector, and to give the U.S. public a voice in the future of cultural engagement. But that first phase was designed and conducted before the murder of George Floyd ignited a national upswell of anger, sadness, and activism and the Movement for Black Lives began to reshape the discourse around racism in every aspect of American life. In a follow-up statistical analysis of the same (early 2020) data published in December as "Centering the Picture," we and our colleagues explored respondents' experiences in relation to their racial and ethnic identities to highlight and amplify what people of color have been going through and what they would like to see changed in the future. The report revealed some unique experiences and perspectives that Black and African American adults in the U.S. have in relation to cultural engagement, digital connection with arts and culture, and social change. The Slover Linett team, knowing that qualitative methods would be necessary to understand those perspectives in a more nuanced and holistic way, advocated for an additional phase of research in 2021 that would offer a triangulation with — as well as departure point from — the twowave quantitative survey.
To that end, and in order to authentically amplify Black voices and stories, we dedicated this qualitative phase of the research solely to Black and African American participants' perspectives, since those viewpoints have historically been excluded or sidelined in most research studies and planning efforts in the cultural field. We intentionally took a broad approach to this inquiry, exploring general dynamics of creativity, trustworthiness, welcome, and community support rather than focusing narrowly on arts and culture organizations and attendance. This allowed us to hear and explore how culture and community experiences and organizations naturally fit into peoples' lives, and it led to rich insights that can inform practice, funding, and policy.